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Voici les p�rip�ties poignantes et dr�les de Junior, un jeune Indien Spokane, n� dans une R�serve. Rien ne lui sera �pargn� – il a �t� le b�b� qui a surv�cu par miracle, l’enfant dont on se moque et il est d�sormais l’adolescent qui subit en soupirant coups de poings et coups du sort. Jusqu’au jour o� cet �ternel optimiste r�alise qu’un d�plorable avenir l’attend s’il ne quitte pas la R�serve. Admis � Reardan, une �cole prestigieuse surtout fr�quent�e par les Blancs, Junior se sent devenir un Indien � temps partiel… Dans ce roman plein d’humour o� se devine l’autobiographie, Sherman Alexie raconte � merveille, tous les combats, petits et grands, contre soi-m�me et les autres, qui se gagnent de haute lutte, � condition de porter bien haut les armes de l’intelligence, de la lucidit� et de l’humour.� Vraiment excellent, poignant et hilarant, r�confortant et sinc�re, sage et intelligent… �, Neil Gaiman� Il a suffi [� Sherman Alexie] d’un seul livre pour ma�triser le genre [de la fiction pour jeunes adultes]. […] ce livre est un vrai bijou. �, New York Times

• Sales Rank: #1233249 in Books
• Published on: 2008-09-01
• Original language: French
• Number of items: 1
• Dimensions: 1.00" h x 5.60" w x 8.40" l, .75 pounds
• Binding: Paperback

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[N128.Ebook] Download Programming Languages: Principles and Paradigms (Undergraduate Topics in Computer Science), by Maurizio Gabbrielli, Simone Martini

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With great pleasure, I accepted the invitation extended to me to write these few lines of Foreword. I accepted for at least two reasons. The ?rst is that the request came to me from two colleagues for whom I have always had the greatest regard, starting from the time when I ?rst knew and appreciated them as students and as young researchers. The second reason is that the text by Gabbrielli and Martini is very near to the book that I would have liked to have written but, for various reasons, never have. In particular,theapproachadoptedinthisbookistheonewhichImyselfhavefollowed when organising the various courses on programming languages I have taught for almost thirty years at different levels under various titles. The approach, summarised in 2 words, is that of introducing the general concepts (either using linguistic mechanisms or the implementation structures corresponding to them) in a manner that is independent of any speci?c language; once this is done, “real languages” are introduced. This is the only approach that allows one to - veal similarities between apparently quite different languages (and also between paradigms). At the same time, it makes the task of learning different languages e- ier. In my experience as a lecturer, ex-students recall the principles learned in the course even after many years; they still appreciate the approach which allowed them to adapt to technological developments without too much dif?culty.

• Sales Rank: #877006 in Books
• Brand: Brand: Springer
• Published on: 2010-05-13
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.04" w x 6.00" l, 1.41 pounds
• Binding: Paperback
• 440 pages

Features

• Used Book in Good Condition

Review

From the reviews:

“This undergraduate textbook on the principles of programming languages has many commendable aspects. It is grounded on sound principles of computing, with machines taking a central role. The authors use activation stacks and other machine-level abstractions to explain many complex ideas--such as scopes and evaluation mechanisms--in concrete terms. Furthermore, many aspects of C++, Java, and C# are covered and contrasted in substantial detail. … In short, what the text covers, it covers well … .” (Simon Thompson, ACM Computing Reviews, January, 2011)

“This book provides a detailed description of the main principles behind the design and implementation of modern programming languages. … Primarily, the text is intended as a university textbook, but is also suitable for personal study of professionals who wish to deepen their knowledge of the mechanisms that lie behind the languages they use.” (Stefan Meyer, Zentralblatt MATH, Vol. 1204, 2011)

From the Back Cover

This excellent addition to the UTiCS series of undergraduate textbooks provides a detailed and up to date description of the main principles behind the design and implementation of modern programming languages.

Rather than focusing on a specific language, the book identifies the most important principles shared by large classes of languages. To complete this general approach, detailed descriptions of the main programming paradigms, namely imperative, object-oriented, functional and logic are given, analysed in depth and compared. This provides the basis for a critical understanding of most of the programming languages.

An historical viewpoint is also included, discussing the evolution of programming languages, and to provide a context for most of the constructs in use today. The book concludes with two chapters which introduce basic notions of syntax, semantics and computability, to provide a completely rounded picture of what constitutes a programming language.

Most helpful customer reviews

6 of 7 people found the following review helpful.
Excellent 30,000 Foot View for that Job Interview!
By Let's Compare Options Preptorial
It amazes me as a software patent evaluator how many "job interview -- coding practice" books get lost in the details of hash tables and trees, and often miss the point of systems overview completely. The bottom line of this fine text in my opinion-- aim high! Four of the hottest career areas in IT AREN'T in coding (so much of it is being outsourced to India, China and Russia)-- they are in management of: 1. Data Science 2. Embedded Systems 3. Networking 4. Sploits.

There even is a new "CTO" type job-- CDSO, for "Chief Data Science Officer." These management, team leadership and high level positions don't require you to create a list prioritization algorithm on the whiteboard in C# in half an hour, but they DO require you to understand how systems from the machine and network levels relate to solutions in choice of languages, software and --especially-- paradigms.

In talking with programmers and engineers all day who submit new software for patents, I'm astonished at how many got all the way through even grad school (including Stanford and MIT) without taking a paradigm class! They can generally tell you which apps work better with trees vs. arrays, but at a high level, why to choose functional vs. imperative is often really foggy.

This book thoroughly dispels the mist. The only requirement is familiarity with ANY language (and yes, for you old time engineers, it can even be C, and you don't have to be up on OOP). The publishers and marketing hype state that it is "undergrad" level, but... well, no. It starts there and explains with pedagogic excellence (typical of Springer) the basics, but rapidly gets to a level of detail that I'd characterize either as grad or as specialized undergrad (eg software engineering, including machine level interfaces).

In the real world, we don't deal with "perfect" systems-- we've got o/s issues, legacy issues, and software solutions chosen by others that match imperative to big data apps that should be functional, or OOP to multiprocessor apps that should be concurrent process oriented, or embedded in Python that should be in LISP. This text takes you out of those myriad trees to see the forest-- and it's a real eye opener!

Yes, if you're a teacher, this would definitely make a much needed course text. But more importantly for "my" Amazon shoppers and library clients-- I heartily recommend it for self study as well. This isn't one of those "I'm the biggest jock" show off books like demos of unhygenic lisp macros-- the authors aren't trying to show off their magnificence, but truly present a LOT of today's paradigm choices that are easily missed in coding courses, at a very easy to grasp level. Don't take this to mean there is no detail-- we get right down to stacks and registers-- but the 30,000 foot piece relates to real life practical solutions that should be made BEFORE finding out that memory is an issue (for example), including very current things like R vs. Excel and C vs. Python, as well as, yes, functional/lisp and their place in big data, etc. If you want to differentiate yourself from the "coding interview" jocks-- get this! You might surprise yourself and leapfrog them to a management - integrator - engineer - administrator "dream" job!

Library Picks reviews only for the benefit of Amazon shoppers and has nothing to do with Amazon, the authors, manufacturers or publishers of the items we review. We always buy the items we review for the sake of objectivity, and although we search for gems, are not shy about trashing an item if it's a waste of time or money for Amazon shoppers. If the reviewer identifies herself, her job or her field, it is only as a point of reference to help you gauge the background and any biases.

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[Z259.Ebook] Ebook Download Psychodynamic Psychiatry in Clinical Practice, by Glen O. Gabbard, M.D.

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It is difficult to improve on a classic, but the fifth edition of Psychodynamic Psychiatry in Clinical Practice does just that, offering the updates readers expect with a deft reorganization that integrates DSM-5(R) with the author's emphasis on psychodynamic thinking. The individual patient is never sacrificed to the diagnostic category, yet clinicians will find the guidance they need to apply DSM-5(R) appropriately. Each chapter has been systematically updated to reflect the myriad and manifold changes in the 9 years since the previous edition's publication. All 19 chapters have new references and cutting-edge material that will prepare psychiatrists and residents to treat patients with compassion and skill. The book offers the following features: - Each chapter integrates new neurobiological findings with psychodynamic understanding so that clinicians can approach their patients with a truly biopsychosocial treatment plan.- Excellent writing and an intuitive structure make complicated psychodynamic concepts easy to understand so that readers can grasp the practical application of theory in everyday practice.- The book links clinical understanding to the new DSM-5(R) nomenclature so that clinicians and trainees can adapt psychodynamic thinking to the new conceptual models of disorders.- New coverage of psychodynamic thinking with relation to the treatment of patients on the autism spectrum addresses an increasingly important practice area.- Posttraumatic stress and dissociative disorders have been combined to allow for integrated coverage of primary psychiatric disorders related to trauma and stressors. A boon to clinicians in training and practice, the book has been meticulously edited and grounded in the latest research. The author firmly believes that clinicians must not lose the complexities of the person in the process of helping the patient. Psychodynamic Psychiatry in Clinical Practice, Fifth Edition, keeps this approach front and center as it engages, instructs, and exhorts the reader in the thoughtful, humane practice of psychodynamic psychiatry.

• Sales Rank: #71493 in Books
• Published on: 2014-04-16
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.20" w x 6.30" l, 2.05 pounds
• Binding: Hardcover
• 639 pages

From the Inside Flap

Long-awaited, this fifth edition of Psychodynamic Psychiatry in Clinical Practice has been thoroughly revised in light of the new DSM-5(R) categories while maintaining its focus on the individual patient's specific needs and complexities. The author has restructured the text for maximum utility and enhanced understanding. The first section focuses on basic principles and treatment approaches, providing a solid foundation for both trainees and practicing clinicians. The next section provides dynamic approaches to the DSM-5(R) disorders and is followed by a section on the personality disorders. Every chapter has been updated to include changes in diagnostic conceptualization, new research, and clinical wisdom.

This bestselling book is used in classrooms throughout the world and is considered a classic by mental health professionals everywhere. The author's thoughtful reorganization of Psychodynamic Psychiatry in Clinical Practice incorporates the DSM-5(R) changes without losing the spirit of previous editions, ensuring that the reputation of this seminal text endures.

About the Author
Glen O. Gabbard, M.D., is Clinical Professor of Psychiatry at Baylor College of Medicine in Houston, Texas and Professor of Psychiatry at State University of New York in Syracuse. He is also Training and Supervising Analyst at the Center for Psychoanalytic Studies in Houston.

Most helpful customer reviews

30 of 31 people found the following review helpful.
Practical emphasis on empirical validation
By David H. Peterzell PhD PhD
I teach those evil, mean behavioral and cognitive courses that all of you hate. Bwaaahahahahaaaaah. Even so...

Add me to the list of people who heartily endorse this new edition of a classic. I use it as a teaching tool and as a reference, and clinical psychology students generally rave about it. A book like this one is essential at a time when psychodynamic approaches are fighting for their proverbial lives. It keeps pace with the DSM-IV-TR, and with rapid advances in neuroscience and clinical research. As before, it is enormously practical. It continues to provide clinical examples, insight, and wisdom related to each DSM diagnosis. As before, its style is accessible to students and clinicians alike, including those who are not psychodynamically oriented. If I was teaching an introductory course on psychdynamic psychology, this is the text I would use.

Gabbard's book contains the following: (1) A lucid introduction to the foundations of dynamic psychiatry. Topics covered include the patient's subjective experience, the role of the unconscious, psychic determinism, expression of the past in the present, resistance, and the role of neurobiology; (2) An introduction to theory, including ego psychology, object relations theory, self psychology, and attachment theory; (3) A multi-chapter discussion of clinical assessment and treatment, including sections on psychodynamic considerations of medication and hospitalization; (4) Coverage of Axis I disorders (schizophrenia, affective disorders, anxiety disorders, dissociative disorders, sexual dysfunctions, substance-related disorders and eating disorders, and cognitive disorders); (5) Coverage of Axis II disorders, with emphasis on the cluster B This is disorders. There are separate chapters for borderline, narcissistic, antisocial, and hysterical-histrionic disorders. The clinical chapters begin by discussing presentation as it relates to the 4 major dynamic schools, and then discuss assessment, and management. In this new edition, relevant biological research is integrated into the discussion. My kind of book: it takes old-time theories, case studies, and new research, and integrates them in a way that enhances clinical practice.

27 of 30 people found the following review helpful.
A Resident's Dream to Understanding the Psychiatric Patient
By Christopher L. Lange
As a third year resident in psychiatry, the utilization of dynamic therapy in the treatment of my patients was daunting. To fully understanding them, would I need to read all of the works of Freud and Jung (and numerous other masters in the field). Dr. Gabbard succintly puts all of the current theories of dynamic therapy into one crisp, easy to read text. The only unfortunate thing about this book is that a third edition is arriving in stores soon.

11 of 12 people found the following review helpful.
Gabbard has done his homework!
By Jennifer K. Paweleck-Bellingrodt, Psy.D.
this is a wonderful book. it is well-organized and puts the often elusive concept of psychodynamic theory into real, practical considerations and methods. it includes basic principles, information on defense mechanisms (very useful), and a great deal of information on various psychodynamic theoretical perspectives. the chapters on understanding and treating personality disorders were my favorite, and the author spent a great deal of time on cluster b personality disorders, probably the most often seen and difficult to treat of the personality disorders. i particularly liked the chapter on borderline personality disorder. throughout the book, the theory and concepts are easy to read and understand, and the interventions are practical and well-explained.

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[J956.Ebook] Ebook Tangled Routes: Women, Work, and Globalization on the Tomato Trail, by Deborah Barndt

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Where does our food come from? And what impact does its production have on the earth, on the women workers who move it from field to table, and on all who eat it? Tangled Routes follows a corporate tomato from a Mexican field through the United States to a Canadian table, examining in its wake the dynamic relationship between production and consumption, work and technology, health and environment, bio-diversity and cultural diversity.

After tracing the tomato's journey through space and time (routes and roots), three case studies--a Mexican agribusiness, a Canadian supermarket, and a U.S.-owned fast-food restaurant--offer a view of globalization from above (corporate profiles), globalization from below (stories of women who plant, pick, pack, scan, slice, and sell tomatoes), and "the other globalization" (acts of resistance and alternatives to the corporate model).

Tangled Routes grew out of a unique six-year collaborative project involving feminist academics, activists, and popular educators from Mexico, the United States, and Canada. Written in an accessible style and integrating over 100 photographs, this critical introduction to complex issues ends with signs of hope--creative responses by local and global movements for social justice and environmental sustainability.

NOTE: Canadian distribution rights for Tangled Routes are held by Garamond Press. All purchases and examination or desk copy requests within Canada should be directed to Garamond Press. The book can be accessed via the Garamond Press website via the following link: http://www.web.ca/~garamond/tangled.htm.

• Sales Rank: #942199 in Books
• Brand: Brand: Rowman n Littlefield Publishers
• Published on: 2002-06
• Original language: English
• Number of items: 1
• Dimensions: 10.12" h x .61" w x 6.90" l, 1.35 pounds
• Binding: Paperback
• 288 pages

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• Used Book in Good Condition

Review
The life histories of the women workers are insightful and compelling, and...the photographs are superb. (Book Review Digest)

Who could believe that the story of a tomato's northward journey could reveal the true heart of corporate globalization? Women, that's who. Women whose toil speeds the journey and whose stories leap off the page to touch our hearts and our consciousness. Deborah Barndt's Tangled Routes is a wonderful and important book. (Barlow, Maude)

With Tangled Routes, Deborah Barndt pioneers a method for demystifying the technologies of globalization with an extraordinarily well-crafted and lively ethnography of the transnational tomato chain. Along the way, we encounter not only the women working the fields, factories, and fast-food outlets but also the variety of survival practices and resistances that constitute 'globalization from below.' These compelling stories counterpoint the spatial and social abstractions of the genetically engineered corporate tomato, its neoliberal trade regime, and its flexible workplaces. Barndt's coherent framing of a series of situational accounts models an understanding of the underside of globalization that is instructive, empowering, and richly textured. (Philip McMichael Philip McMichael Philip McMichael)

Describes in vivid detail the intricate path of the commodified tomato from the agricultural fields of the South to the fast-food restaurants and supermarkets of the North. (Canadian Woman Studies)

The author examines concepts old and new in an innovative, creative, and thoroughly engaging manner by mixing a strong writing style with a series of contextualising photographs. . . . An excellent interdisciplinary text that is equally useful inside and outside the classroom. (Just Labour)

What consumers have both an obligation and a right to know about where their food comes from and what it means. (Rosset, Peter)

This book is an original contribution to the vast literature on globalization, providing a timely, relevant analysis as well as a set of creative and concrete strategies to challenge industrial agricultural practices. Activists and students alike will gain much from it. (Gender, Place And Culture)

The strengths of this book are its organization and clarity, its skillful interweaving of global processes and local realities, and its attention to methodology. I definitely plan to use it again in my international studies course. (Sita Ranchod-Nilsson)

This is a detailed, ethnographically rich text for undergraduates. The feminist and ecological perspectives are clear and compelling. The book also fits nicely as a case study for the world capitalist system and food as commodity. This is the final work I assign in my food and culture class because it summarizes and applies so many of the course theories and concepts in a single case that students are able to use to discuss a variety of issues. (Carolyn Smith-Morris)

Tangled Routes caught my attention when I decided that I really needed to add a more global perspective to my course. It offers the unique opportunity to follow a single product across space and time and introduces globalization from above and below. This approach allows both sides to be seen clearly, demonstrating that some of the issues do not have simple answers. The connection of women to globalization, not only through agriculture but through world production in general, is also a real plus. The photographs are wonderful, and the activist pieces at the ends of the chapters offer students some concrete examples for responding to a corporate world. (Richard Peterson)

Review

With Tangled Routes, Deborah Barndt pioneers a method for demystifying the technologies of globalization with an extraordinarily well-crafted and lively ethnography of the transnational tomato chain. Along the way, we encounter not only the women working in the fields, factories and fast food outlets but also the variety of survival practices and resistances that constitute 'globalization from below.' These compelling stories counterpoint the spatial and social abstractions of the genetically engineered corporate tomato, its neoliberal trade regime, and its flexible workplaces. Barndt's coherent framing of a series of situational accounts models an understanding of the underside of globalization that is instructive, empowering, and richly textured.

(Philip McMichael, Cornell University)

About the Author
Deborah Barndt is a popular educator and photographer who teaches in the Faculty of Environmental Studies at York University in Toronto. For over 25 years, she has worked with social justice movements in Canada, the U.S., and Central America. Her photographs have been published and exhibited widely, and her extensive publications include Education and Social Change: A Photographic Study of Peru, To Change This House: Popular Education under the Sandinistas, Naming the Moment: Political Analysis for Action, and Women Working the NAFTA Food Chain: Women, Food, and Globalization (editor).

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1 of 1 people found the following review helpful.
Tangled Routes
By Lucy Long
Deborah Barndt offers the best analysis I have read of the philosophical foundations that allowed North Americans to lose our connections with food. She explores how our approach to food represents a larger worldview that believes it is possible to reduce everything down to logical and quantifiable formulas. It also sees nature (and natural food and natural processes) as somewhat dangerous both physically and culturally, so that we feel a need to tame nature and make it work in our favor. She also then ties this analysis to the lives of real people, so that we can see how such an approach actually plays out in our society.
Although the text is dense at times, this is worth the time and thought it might take. EXCELLENT!

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• Sales Rank: #3523744 in eBooks
• Published on: 2011-08-21
• Released on: 2013-04-25
• Format: Kindle eBook

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[W710.Ebook] Ebook Free An Introduction to Nonstandard Real Analysis, Volume 118 (Pure and Applied Mathematics), by Albert E. Hurd, Peter A. Loeb

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The aim of this book is to make Robinson's discovery, and some of the subsequent research, available to students with a background in undergraduate mathematics. In its various forms, the manuscript was used by the second author in several graduate courses at the University of Illinois at Urbana-Champaign. The first chapter and parts of the rest of the book can be used in an advanced undergraduate course. Research mathematicians who want a quick introduction to nonstandard analysis will also find it useful. The main addition of this book to the contributions of previous textbooks on nonstandard analysis (12,37,42,46) is the first chapter, which eases the reader into the subject with an elementary model suitable for the calculus, and the fourth chapter on measure theory in nonstandard models.

• Sales Rank: #4128355 in Books
• Published on: 1985-10-12
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 232 pages

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[G380.Ebook] Free PDF Artworld Prestige: Arguing Cultural Value, by Timothy Van Laar, Leonard Diepeveen

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Why does the artworld often privilege one cultural form over another? Why does it grant more attention to reviews in, say, Artforum over ARTnews? And how can an artist once hailed as visionary be dismissed as derivative just a few years later? Exploring the ever-shifting estimations of value that make up the confluence of artists, critics, patrons, and gallery owners known as the artworld, Timothy van Laar and Leonard Diepeveen argue that prestige, a matter of socially constructed deference and conferral, plays an indispensable role in the attention and reception given to modern and contemporary art.

After an initial chapter that develops a theory of prestige and the poignancy of its loss, the book looks at how arguments of prestige function in systems of representation, various media, and art's relationship to affect. It considers twentieth-century artists who moved not away from, but toward figuration; looks at what is at stake in the recurrent argument about the death of painting; examines the decline and an apparent return of sensual pleasure as a central attribute of visual art; and concludes with a look at the peculiar function of prestige in outsider art.

Illustrated with artwork by David Park, Jorge Pardo, Gerhard Richter, Anish Kapoor, Cecily Brown, Howard Finster, and others, Artworld Prestige provides an engaging guide to the changes, debates, and shifts that animate aesthetic judgments.

• Sales Rank: #1589648 in Books
• Published on: 2013-01-09
• Original language: English
• Number of items: 1
• Dimensions: 5.80" h x .80" w x 8.40" l, .85 pounds
• Binding: Hardcover
• 224 pages

Review

"In clear, lively prose, the authors have crafted an original and compelling field guide to the higher realms of contemporary art criticism and the way it confers or denies the halos of prestige. The vantage point they take enables them to illuminate some startling values, dogmas, and blind spots that lie hidden within familiar art world discourse."--Carol Duncan, author of Civilizing Rituals: Inside Public Art Museums

"In a series of nicely described case studies, the authors show how understanding prestige involves analyzing the most obdurate terms of modernism and postmodernism: self-awareness, relevance, theory, difficulty, irony, pleasure, seriousness, professionalism, the instability of meaning, and the refusal of sense. This will be a very helpful book for anyone struggling to understand how the artworld produces its unpredictable judgments."--James Elkins, author of What Painting Is

About the Author

Timothy Van Laar is Professor of Art at the University of Illinois at Urbana-Champaign. He is the coauthor of Active Sights and Art with a Difference.

Leonard Diepeveen is Professor of English at Dalhousie University. He is author of Changing Voices: The Modern Quoting Poem and The Difficulties of Modernism.

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3 of 3 people found the following review helpful.
A major step forward in the institutional theory of art but stops short of the finish line
By John Armstrong
In this short but meaty book the authors make what I think is a real breakthrough in our understanding of value in art. They embrace the so-called institutional theory of art put forth most notably by philosophers George Dickie and Arthur Danto and take it from the world of axioms and thought experiments into the real world, which is to say the real NY-centered art world of the last fifty years. (They have little if any interest in the broader world in which the art world exists.)

They zero in on a central principle of the institutional theory of art, which is that the status of a work of art is not intrinsic to the work but is conferred by the artworld to which the work is presented. They look at how this conferral works - who does it, when, and how. They stress that the process is collaborative (more exactly negotiative, if there is such a word), and that it involves advocacy for and against the work that ends in some form of consensus. They allow that the consensus may not be complete, that it may involve ambivalence, and, most importantly, that it may be reversed at some later date, so that a work may lose the status it was originally granted, or gain status that was originally withheld from it.

They could have called the status conferred on a work (and occasionally withdrawn from it) simply value, but then they would have had to explain which of the various meanings of the word they did and did not intend in their usage of it. Instead, they choose a different word, prestige. Prestige is a primitive: we have an instinctive sense for it. It can be rationalized but doesn't have to be. The one intrinsic property it has is that it is desirable. And it's social - it's not merely something we want to have, it's something we want others to know we have. (A nice thing about prestige is that it's transitive. You can have prestige by having it conferred directly on you, you can have it by owning a work of art by an artist that has prestige, you can have it by knowing people who have prestige, and so on.) The term prestige as used by the authors names the exact thing in the artworld that everybody is aware of but nobody has found a really satisfactory way of talking about.

To my mind the model of negotiated and periodically renegotiated value, grounded in desire and social dynamics, is the real breakthrough of the book. The first chapter, in which the authors lay out the model, is compelling, even exciting. But their real interest is not in the core model but rather in the kind of intellectual discourse that it engenders. (This is actually called out in the full title of the book: Artworld Prestige: Arguing Cultural Value.) Their real interest is in the rhetoric - the words, the tropes, the argumentational tactics - employed by those who want to confer or withhold value/prestige in a given situation. The orientation of the book is thus primarily linguistic rather than sociological. (Or economic; they rarely talk about money or the "market".)

In the first chapter, as well as the following four (the last, though called a conclusion, introduces new material and is really a chapter in its own right), they consider a number of specific events which have caused people to argue about art.

The main large scale developments they look at include the end of Abstract Expressionism, the return (or returns) to figurative painting, the rise of stylistic pluralism, assaults on painting by Conceptualists and their kin (united under the cry of "painting is dead"), the rise of feminism and what some would call political correctness in art, attempts to bring pleasure (including beauty and "the aesthetic") back into art, and coming to terms with outsider art.

Examples of the specific events they examine are Greenberg's failed attempt to anoint Jules Olitski as "the best painter alive", Frank Gallo's fall from grace due to the belatedly perceived sexist nature of his work, the consternation caused by Phillip Guston's dramatic switch from abstract to figurative painting, Gerhard Richter's sustained parallel efforts in abstract and figurative styles, the difficulty of establishing a permanent place for American and German Neo-Expressionists, the eternally precarious status of David Hockney, and more (though not much for the considerations of pleasure and outsider art).

The authors present the specific incidents not merely as things that happened but as things that people pronounced on as they happened, whether expressing approval or disapproval. They quote contemporary writings (mostly formal writings but also some interviews) on both sides, and note the ways the participants argue their positions.

I am honestly not sure how much new there is in their analyses. A lot of it is standard rhetoric. Some points that I gleaned are:

* The standard term of praise for art is "serious". It indicates the artist knows what they are doing, that they have a purpose, that the work they are making serves that purpose. Importantly, seriousness is not tied to any particular theory or grand narrative of art.

* The artworld has an elite that you want to connect yourself to. The key characteristic of that elite is professionalism, meaning educated, possessed of specific knowledge (especially of art theory and art history), intelligent, and able to assess seriousness.

* If you are arguing a majority (status quo) position, be calm and hold to the high road. If you are arguing a minority (non-status quo) position, go for a dramatic strike that reduces your opponents' position to nothing (as "painting is dead!")

* Avoid presenting the art you are promoting as being purely what it is. Represent it as being "about" something, or "quoting" something, or, at the very least, as being ironic.

I'm caricaturing to some degree, but these really are the kinds of things they talk about.

This is a good book, definitely worth reading. I think it could have been a great book, if only the authors had paid more attention to the full range of social behaviors that go into the negotiation of prestige and not focused so narrowly on purely verbal ones (which are seen as constituting "the discourse" but I suspect are often no more than after the fact rationalizations of things worked out in much more down to earth ways).

I give it five stars for the first chapter and 3 1/2 stars for the rest, and 4 stars for the book as a whole.

2 of 2 people found the following review helpful.
Most enlightening analysis of the perplexing categories delineating the Western Art World
By dominique de Gery
This frank, direct analysis of the current attitudes in the western, American dominated art world is not for the faint of heart. It's aim is anatomical rather than judgmental, which can, at times, feel brutal. The authors have done a thorough job of identifying and describing the discourse and undercurrents of the art world's pluralistic structure, by describing three separate but unequal parts: Professionalism, Amateurism, and finally, almost as a postscript, Outsider art.
"Artworld Prestige" addresses the issue of why the current erudite, art world elite have decreed not only painting but perhaps all Art as "dead". It covers the theoretical progression from the enlightenment, Duchamp to Sol Lewitt, Damien Hirst and Murakami-Takashi, comparing them to artist like David Hockney, who although popular and certainly respected in the Art World, still has a whiff of amateurism about his work.
Timothy Van Laar and Leonard Diepeveen refer to an exhaustive number of important scholars, critics and art theorist, to analyse the Artworld's movement away from beauty, pleasure and an appreciation for the technical or material aspects towards a reverence for self-referential theorizing. In its relatively few pages, this book has managed to include an impressive number of need-to-know contemporary players.
Ultimately, however, I was left with the rather depressing conclusion that the art world mimicked the contemporary social/economic American system too closely for comfort. While it is a demonstrable truth that prestige is conferred democratically by the many upon the few and rare, the mechanisms here describe an elitist stratification. Although the artistic dialogue has progressed, art is still very much tied to the material world by the nature of its patronage.
This book has a great deal to offer students, collectors, art enthusiast and scholars, whether through its thoughtful and comprehensive definitions, or its list of sources and examples.

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[L322.Ebook] Ebook Free Fashion Patternmaking Techniques Vol. 2: Women/Men. How to Make Shirts, Undergarments, Dresses and Suits, Waistcoats, Men's Jackets, by An

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This second volume of Fashion Patternmaking Techniques, guides readers through and examine the various procedures for transforming bodices, through dart manipulation as well as studying techniques for creating volumes, draping, and fitted patterns. The book includes techniques for creating patterns for knit fabrics; basic dress blocks and how to adapt these to different fabric patterns and types of garment (for example, maternity dresses); sleeves; basic blocks for men’s vests and jackets; size grading for tops and dresses and the fundamentals of pattern layout. This manual prepares the reader to apply these concepts—along with their own intuition and creativity—to constructing patterns.

• Sales Rank: #75425 in Books
• Published on: 2016-04-12
• Original language: English
• Number of items: 1
• Dimensions: 11.60" h x .80" w x 8.30" l, 2.58 pounds
• Binding: Paperback
• 256 pages

Review

“As the director of and a teacher at the Euromode School Italia in Bergamo, Antonio created this no-frills series as an almanac or a formula book on pattern drafting.… Fashion Patternmaking Techniques is highly useful for certain segments of the sewist community. Fashion students, professors, industry professionals, advanced sewists, and people who are adept at math will get the most out of this book.” MadelinL in the Sewing Patternreview blog, 8/17/2016


“As the director of and a teacher at the Euromode School Italia in Bergamo, Antonio created this no-frills series as an almanac or a formula book on pattern drafting.… Fashion Patternmaking Techniques is highly useful for certain segments of the sewist community. Fashion students, professors, industry professionals, advanced sewists, and people who are adept at math will get the most out of this book.” MadelinL in the Sewing Patternreview blog, 8/17/2016

About the Author
Antonio Donnanno began in his career in his family s tailor shop and later, after majoring in history and philosophy, focused on the teaching of costume history and pattern-making techniques. In 1982, he founded the acknowledged Euromode School Italia in Bergamo, which soon expanded with new branches on the international stage and where, alongside his teaching duties, Donnanno also serves as director. Antonio Donnanno has written dozens of books about fashion and has his own consulting firm, focusing on pattern-making and business.
Elisabetta Kuky Drudi As consultant, illustrator and stylist for different fashion companies Elisabetta Kuky Drudi has planned and organized fashion shows and collections on an international level. She is also author of bestsellers as "Fashion Details. 4000 Drawings, "Figure Drawing for Fashion Design and "Figure Drawing for Men s Fashion. Currently she designs for various international fashion houses."

Most helpful customer reviews

3 of 3 people found the following review helpful.
The best patternmaking book series!
By Penguin
I have the series in Italian and really happy they have been released in English. There is no better patternmaking books for the price. Not only is the price good, the amount to technical information the actual designs and clothing styles are much more current and up-to-date then most all the others available on the market. Uses metric which is by far the best for patterndrafting and takes no effort to use as you do not have to figure out complicated fractions. The series is for the beginner to advanced patternmaker and are full of easy to understand diagrams and information. Designs for men and women, great lingerie in Vol.2 and knit tees and dresses. You will want to make sure you have Vol.1. ( it has a great legging pattern). You can find lots on inexpensive metric pattern drafting rulers here on Amazon as well as papers for patterns, medical exam paper is great for making the patterns you will be cutting out. I use both the smooth and the crepe, crepe is not as easy to see through but stronger and longer lasting.

Medical Pattern Paper: 21" x 225' Single Roll of Patternmaking, Drafting, and Tracing Paper by Cardinal Health

Frigate Fashion Designer Rule Kit in Cm (15-202) by Fairgate

0 of 0 people found the following review helpful.
Five Stars
By Kindle Customer
good book

0 of 0 people found the following review helpful.
Awesome Design Book
By Amazon Customer
The book is great! Awesome techniques for styles that I am anixious to try out! Had volume 1 but was pleased to see they had volume 2.

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[Q710.Ebook] Free Ebook How to Make Someone Fall in Love With You in 90 Minutes or Less, by Nicholas Boothman

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Building on the power of first impressions, Nicholas Boothman shows how to find and meet the love of your life—and have that person fall in love with you—in a mere 90 minutes, or approximately the time it takes to have a first dinner date. Now in paperback, this follow-up to his bestselling How to Make Someone Like You in 90 Seconds or Less is updated throughout with information on Internet dating, bringing together all of Mr. Boothman's considerable interpersonal skills to the problem of finding lasting love, fast.

And it works: The feedback Boothman has received from a number of his clients begins, "Please come to my wedding. . . ." Starting with a series of revealing self-assessment tests that show how to find your Matched Opposite (a person who makes you feel complete), here is how to make a fabulous first impression, with tips on everything from attitude to accessories; how to be charming, not alarming; introductions, opening lines, and the 1-2-3 mantra of never hesitating. There are techniques for starting and maintaining conversation and for finding "Me Too" moments, plus the importance of flirting, incidental touching, rules of self-disclosure, and more. Real-life examples and analyses of actual conversations show the method at work.

• Sales Rank: #69050 in Books
• Brand: Brand: Workman Publishing Company
• Published on: 2009-01-01
• Original language: English
• Number of items: 1
• Dimensions: 7.00" h x .94" w x 5.06" l, .56 pounds
• Binding: Paperback
• 330 pages

Features

• Used Book in Good Condition

From the Inside Flap
It's time to stop leaving love to chance. Time to stop being too shy to meet someone, wondering why a promising first date wound up going nowhere, or realizing too late that it happened with the wrong person anyway. Nicholas Boothman has a much better way.
Drawing on his expertise in Neuro-Linguistic Programming (NLP), Boothman charts a three-step plan that will help anyone find the love of his or her life. Step one: get ready-- come to know who you are through honest self-assessment, and then to know what type of person is your matched opposite-- i.e., the person who completes you. Step two, the heart of the program, is working seriously on interpersonal skills-- how to be charming, not alarming; flirt with confidence; synchronize body and voice to create trust and chemistry; keep enthusiasm high; even how to cast a wide social net and dress for a first meeting.
Step three is about accelerating the kind of intimacy that leads to love, by finding " Me too!" triggers and mastering the art of incidental touch. You'll learn to tap into key emotions through low-, medium-, and high-risk disclosures-- and how to intensify the nonverbal signals that turn sparks into a flame. All the while you'll establish a solid romantic foundation to convert this magic 90 minutes into a lifetime of love and commitment.

From the Back Cover
We all know love at first sight is real. The genius of Nicholas Boothman is to understand how and why it works, and to teach you how to harness its power.

He shows how to recognize and attract your matched opposite―the person who will complete you―and then quickly nurture feelings of love. At the core of this simple, valuable book―now completely updated to fully address online dating―are dozens of simple verbal and nonverbal communication techniques to help you kindle the romance and accelerate intimacy. That's why his mail from readers so often begins, "Please come to my wedding."

About the Author
Nicholas Boothman, author of How to Make People Like You in 90 Seconds or Less, learned how to establish instant rapport with strangers while working as a fashion and advertising photographer. A licensed Master Practitioner of Neuro-Linguistic Programming, he is a consultant to individuals, groups, and corporations who want to learn the communication skills needed to connect with others. He lives outside of Toronto.

Most helpful customer reviews

127 of 135 people found the following review helpful.
Good Book! Bad Title!
By John Spinhirne
This book is well written and fun to read. It has great insight on how to discover more about yourself and what you are looking for. It discusses more about how to find someone who is compatible with you and when you do find that person, the best way not to screw up the encounter. It is NOT a book on how to date as many people as you can and have sex with them. It is geared towards finding that one special person most of us are looking for and building a long lasting relationship with them.

I would never have bought the book on the title alone because the title means something completely different to me. So I think it is a bad title.

I would recommend this book to someone looking for additional insight in the dating field and finding true love.

56 of 57 people found the following review helpful.
"Finding Your Matched Opposite" Should be the Title!
By TimFromQueens
I would give it more a 3.5 star rating, here's why;

So Nicholas Boothman is better known for his, "How to Connect in Business in 90 seconds or less" and "How to Make People Like you in 90 seconds or less" - So I guess that's why he entitled his book as such to keep the theme going, but honestly it should have been titled more towards the "Finding your Matched Opposite" theory he talks about in his book. That theory / belief in this book he introduces is what makes this book very special.

It talks about how we shouldn't look for people who are exactly like us, or so different from us, but similar enough and different enough, that you would compliment each other. Just like we have a right hand and a left hand, both the same, but different enough to work and intertwine together. That was such an eye opener and made me think long and hard about women, and trying to figure out who I am - because once you know who you are, you can now confidentially know who you would go good with.

The book also talks about a lot of great pointers about how to build rapport with the person you are meeting and how to get comfortable with someone you just met. In a way it feels like this book could have been two different books, one actually being the "Love you in 90 mins or less" and the other of "Finding Your Matched Opposite."

Just beware that this book consists of very analytical reading so not something you can just flop down and read - but incredibly useful in helping me understand myself, and building connections on dates.

77 of 84 people found the following review helpful.
Unless You're Oprah, Read this Book
By fifty50
Howard Gardner, the famed Harvard psychologist, identified seven major areas of learning, very roughly correlating to language arts, math, art, music, gym, interpersonal and "intrapersonal" learning. Public education covers the first five, but is too unsophisticated to cover the last two. This book addresses many major aspects of interpersonal learning. Once you read it, you will most definitely notice your mistakes and the mistakes of others and you'll be relieved that you're no longer making these mistakes. How would you feel if you went around saying things like, "Me and him went to the park" and then someone told you the correct grammar is, "He and I"? That's what this book accomplishes on an interpersonal level. For example, one topic in this book is conversational levels of intimacy and how to tell whether your conversational partner is comfortable with the level you're discussing. The author shows how to jump from one level to another and how to time the jumps so as to not bore your conversational partner or drive him or her away. Though the author applies the material to dating, it is also applicable to every day life and should be practiced there in order to develop expertise.

While the title of the book does relate to the material in the book, the title is hyped and gimmicky, whereas the book contents provide an important learning experience.

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